Have you ever wondered how surprises relate to our emotions beyond physical reactions and the horror genre? Would you like to know how a narrative constructor thinks in the creation of curiosity, surprises and suspense and how the cognitive vehicle of narrative works?
In two earlier posts, I told about two ardent film makers, Ed Wood and Georges Méliesè, who both seized accidents when making their films. Both films brought them fame but in two completely different ways: Wood for the worse film ever made and Méliesè for his innovation of visual and special effects.
When setting up the site I realised when a child passed by and asked, “What is narrative?” that I had beat around the bush. Since adults tend to make things more complicated than they are, and before me I saw a ten pages report about narrative as a not media specific and thought-based system, the child´s question was a disturbing reminder that it was time to grab the bull by the horns.
Quite a while ago when giving lectures in narrative construction even though it was early in the morning my students were already there looking like they hadn’t slept and with their arms folded over their chests. With a defiant look in their eyes, they declared, “We won’t do this”. Continue reading